PHILOSOPHICAL AND AESTHETIC PERCEPTION OF SHAPING IN CLOTHING DESIGN

PHILOSOPHICAL AND AESTHETIC PERCEPTION OF SHAPING IN CLOTHING DESIGN

PHILOSOPHICAL AND AESTHETIC PERCEPTION OF SHAPING IN CLOTHING DESIGN

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Modelling the costume is seen in the context of active influence of fashion trends that reflect the culture (not only material, but also spiritual) in a particular 4 Piece RAF with Armless Sofa Sectional historical moment.The content of the suit is in a dialectical relationship with fashion, and the contradictory Bucket Hat nature of this relationship is the main source of contrast development of costume forms which, in turn, reflects the continuous development of the substantial component of costume.

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